Texts compilation reflecting on practice-based research in performing arts.


It is a compilation of texts which approach the issue of artistic research in performing arts and show the main positions in the debate aroused around it. The compilation consists in a series of contributions in which are expressed different ways of understanding the creative process as research in performing arts, both in the field of the academia and in the field of the artistic work itself. Some paradigmatic cases are analysed: Xavier Le Roy or Rimini Protokoll. 


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